Discipline: Multidisciplinary

Discipline: Dance

Tuifa’asisina Korina Seiuli Lee currently resides in American Samoa but hails from the mighty villages of Apia, Faleasi’u, Papauta, Solosolo, Papa Sataua and Sa’asa’ai Savai’i. Her life has always been infused with the Samoan performing arts for many years. Proudly coming from the musically renowned Le Au Salamo Family where she holds the High Chief Title of Tuifa’asisina. Tuifa’asisina serves as founder, owner, director and choreographer of Le Taupou Manaia Academy of Traditional Samoan Dance, Music & Arts in Pago Pago, American Samoa, Auckland, New Zealand, & Apia, Samoa. In the pageantry realm, she is co-gounder of Manaia Events est. 2016, which, for eight consecutive years, has managed the Miss Samoa Pageant, and has helped numerous former Miss Samoa, Miss American Samoa, Miss Samoa Utah, and Miss Pacific Islands contestants in the Talent and Traditional Attire Category. Tuifa’asisina has also choreographed numerous opening numbers for Miss Samoa, Miss American Samoa, and the Miss Pacific Islands pageants. Tuifa’asisina is the owner and manager of Measina Samoa Creations in American Samoa. This past year, Tuifa’asisina showcased 20 traditional laei samoa designs at the Utah Pacific Fashion Show. She is also a Certified Fitness Professional for the American Council on Exercise, and a mother to her beautiful daughter Lorrina. One of Tuifa’asisina’s greatest accomplishments as a Master Tuiga Fafau artist, is creating a one of a kind 3-stick tuiga in which the lave is covered with plain u’a and hand painted with natural dyes on a siapo-mamanu by Tupito Gadalla – the late Mary Pritchard’s granddaughter. This intricate tuiga fafau is now housed at the Auckland War Memorial Museum in Auckland, New Zealand.

Born to the Yeʼii Diné Táchiiʼnii clan. Born for Béésh bichʼaii clan. Always a bit out there, but never boring; Kris Pfeiffer is a dedicated musician, leader, artist and linguist who is passionate about a wide array of fields. First getting his taste and love of all things life has to offer as a child on the Navajo Nation, he accredits his grandmother and mother for igniting that passion of all things Diné. Basketry, culinary arts, music, language, he was never shy of setting his aspirations high and consistently was encouraged to seek a higher education, climb the ladder of success, seeking out knowledge to questions he had. He loves to draw with chalk pastels, play the piano, cook, and share his Navajo (Diné) language and culture with everyone. He is an accomplished hoop dancer and current student at Utah State University in Logan, Utah.

Discipline: Film

L Sam Zhang is the author and illustrator of the The First Chinese Festivals series of children’s books. Behind each festival lies a fantastic tale steeped in history and legends thousands of years old. She aims to make these stories available in English so more people can enjoy the festivities throughout the year in a meaningful way. These colorful books also help children better understand themselves and the world around them in our increasingly global environment.

Sam was born in Shanghai and grew up in Buffalo, NY. After getting a BS in Biology from Cornell and a PhD in Neuroscience from the University of Michigan, she spent a decade on the West Coast doing branding and outreach for startups, research institutes, and nonprofits. Sam now lives in Michigan, and is the Executive Director of the Kalamazoo Chinese Academy, a non-profit organization dedicated to providing Chinese language and cultural experiences to youth from all backgrounds.

Discipline: Multidisciplinary

Latina Dance Project

Latino Arte and Culture

Discipline: Multidisciplinary

Actor and Equity, Diversity, Inclusion (EDI) Dramaturg, Salt Lake Acting Company

Latoya Cameron (She/Her/Hers) is an advocate/actress/singer/writer. Growing up painfully shy, she found her voice and presence through acting and hasn’t looked back. She has been performing professionally for 17 years and is a proud member of Actors Equity. She made her New York debut as the lead in Shelter: the Musical at the New York Musical Theatre Festival in 2012. She has always hoped that theater would be a place that could unite and cause positive change.
Along with performing, she is currently working on making theatre spaces more equitable for historically underserved communities who continue to be excluded by systemic oppressive behaviors and racism. For almost two years, she has worked as the Equity, Diversity, and Inclusion Dramaturg at Salt Lake Acting Company in Salt Lake City, Utah. She continues to dive into the organization’s infrastructure to implement EDI practices and policies in hiring, casting, marketing, outreach, and how to build a supportive, brave rehearsal process. In addition, she continues to advocate for BIPOC artists within the community by standing up against problematic erasure in casting and being a voice when exclusionary practices are happening within the greater Utah theatre community.

Discipline: Visual Arts

Lauren Benetua (she/they) is an American-born Filipina of Illonggo, Batangueña, Bikolana, and Ilokana heritage residing in Huichin Ohlone territory. They are a dedicated cultural practitioner and weaving apprentice with Kalingafornia Laga, a weaving collective of Pilipino American women who preserve, promote, and maintain the indigenous backstrap weaving traditions from Kalinga in the Philippines. Lauren brings with them 10 years of textile weaving experience, including facilitating cultural educational workshops and weaving demonstrations alongside their mentor and teacher, Jenny Bawer Young. She now explores the responsibility of teaching traditional backstrap loom weaving to new learners in the same tradition taught to her that has been passed down by the hands of indigenous women for generations and is eager to continue cultivating a community of Pilipinx weavers in the diaspora.