Discipline: Visual Arts

Dr. Miriam Padilla, Executive Director of Bomba Marilé, is a proud LGBTQ Puerto Rican woman, a registered Taino tribal member, a doctor, and a community organizer. Dr. Padilla is board certified in Endocrinology, Obesity Medicine, and Lifestyle Medicine. She currently is the Medical Director of the LiveWell Center at Utah Valley Hospital. When Miriam is not seeing patients, she is the Executive Director of Bomba Marilé which is a non profit organization that shares Afro-Puerto Rican bomba music and dance with the community in Utah. Dr. Padilla has received multiple awards for her community involvement including the “30 Women to Watch” award from Utah Business Magazine, the “Mujeres Destacadas” award from La Opinion Newspaper, and the Certificate of Special Congressional Recognition from the United States Congress. Miriam is grateful for the WESTAF support and hopes to continue lifting up brown, black, and indigenous voices through her work as a cultural artist in the state of Utah.

Discipline: Folklife/Traditional Arts

Mitchell Rudolph is a Māori cultural practitioner, haka educator, and first-grade teacher based in Utah. Raised on his marae in Aotearoa, Rudolph learned haka, waiata, karakia, and Māori performing arts through intergenerational teachings rooted in cultural responsibility, ancestral knowledge, and community care. His grandfather, a tribal leader, instilled values that continue to guide his work today.

Rudolph serves as a teacher at Mana Academy Charter School and works as a cultural mentor for Māori, Pacific Islander, and Indigenous youth and families across Utah. His creative practice centers on haka as a tool for healing, identity, belonging, and collective voice. He leads workshops, performances, school programs, and community gatherings that honor tikanga Māori while fostering connections across Indigenous and multicultural communities.

Much of Rudolph’s work focuses on supporting youth in the diaspora, helping them reconnect with their ancestors, build confidence, and see their cultures reflected with pride. Through teaching, curriculum development, and community collaboration, he carries haka forward with integrity, care, and purpose.

MK Chavez (She/They) is an Afro-Latinx writer, cultural worker, coach, consultant, educator, and editor. She/They are committed to advancing equity and inclusion in the arts and beyond. She is the co-director of Berkeley Poetry Festival and the Founder and Director of Ouroboros Coaching & Writing Lab. Her writing has been honored with a Pen Oakland Award, a San Francisco Foundation/Nomadic Press Literary Award, and fellowships at CantoMundo, Caldera, Sitka, Playa, Community of Writers, and Hedgebrook. Her community activism and cultural work have been acknowledged with an Alameda County Leadership Award, and in 2023, she was recognized by the Yerba Buena Center for Arts as a YBCA 100 Fellow.

Moana doesn’t just make art—she architects worlds.

Moana Iose is a multidisciplinary artist and policy mind born in Oceania and raised in the American West. Her work moves through mediums from murals to film and exhibition design to poetry. Iose’s creative practice bridges the sacred and the stylish, turning stories of home and diaspora into visual symphonies.

Her aesthetic is layered, bold, cinematic and grounded in Indigenous futurism with a touch of West Coast ease. Her work moves between boardrooms and block parties, archives and airwaves, always returning to one question: what does freedom look like when it’s ours?

 

Iose’s vision is for Indigenous Pacific futures that are sovereign, sensual and unapologetically alive.

Molly Rufus is a Washington D.C-based arts administrator, creative, and culture worker. Her work focuses on creating spaces for diverse and expansive art projects. Molly is currently working at CulturalDC as their Programs and Exhibitions coordinator, where she focuses on public art and mobile art installations in the district. Her time is also spent coordinating artistic programming at EatonDC and as the DC Programs Manager and Chapter Co-Founder of Black Girls in Art Spaces.

Previously, she worked as a program analytics intern at the City of Alexandria to diversify their public programming before moving to coordinate operations for John F. Kennedy Center’s Washington National Opera.

Discipline: Interdisciplinary

Monique N. Michel is a bilingual educator, dancer, teacher, and the Artistic Director of her company, the the Ballet Folklorico Mexico Lindo, located in Southwest Idaho. The group was established in 2003 in Nampa, Idaho. They have over twenty Mexican states in their folklorico repertoire that they perform regularly. Monique and the Ballet Folklorico Mexico Lindo have performed in five states in the Pacific Northwest, and recently celebrated twenty-one years of existence in March 2024.
Monique is a former Diversity Equity and Inclusion director, WESTAF Emerging Leaders of Colour Alumni, and a WESTAF Fellow. She active in both the Ada and Canyon County area arts communities. As a result, Monique has danced, traveled and performed both in and around the United States. She has received accolades for her work in the Latino community as well. Recently she was awarded the Orgullo Migrante Award from Radio International in Chicago. Monique believes that everyone has the ability to dance!

Director/Owner/Teacher, Ballet Folklorico Mexico Lindo

Director/Owner, Ballet Folklorico Mexico Lindo

Hello from Idaho! My name is Monique N. Michel. I’m a traditional Mexican folklorico dancer, dance director, teacher and learner for life. I’m the proud owner of my own dance company, the Ballet Folklorico Mexico Lindo from the Treasure Valley, in Idaho. I originally began dancing as a child in my hometown of East Los Angeles, California. After attending college, I moved to Idaho in 1997. I began my dance company in 2003 with the help and support of four dance parents and their children. I’ve since grown my dance company to forty-five members of all ages and abilities. Through my dancing I’ve met incredible people, formed wonderful relationships, and connected with communities in Idaho, Oregon, California, Washington and Utah. My dance outreach has afforded me the experience of sharing my culture and heritage with so many. I’m a staunch LGBTQ+ Ally, as both of my adult children are gay. I am ridiculously blessed to have not one, but two beautiful gay children who’ve shown me the richness of this world through their eyes. I’ve worked extensively with underserved populations in California and Idaho. I’ve taught the children of migrant workers for many years. Representation is super important to me. I want to leave this world knowing I made a difference in education, outreach and compassion. My hope is to start a Latinx Arts non-profit. I want to leave a legacy for future generations to know their heritage and culture and be proud of themselves and their roots.