Meet Creative West’s grant awardees and fellows—artists, culture bearers, arts agencies, and organizations fostering creativity in their communities.
Grants awarded from FY 2021 - FY 2023
Leaders of Color alumni
%
of FY 2023 Tourwest grants supported arts participation in rural areas
Thank you and si Yu'us Ma'asi for supporting Indigenous art and artists, and for giving me this opportunity to build a very special traditional canoe for our community!
Pete Perez
2024 BIPOC Artist Fund | Saipan, Northern Mariana Islands
It was an amazing experience that fueled me to work toward my goals in arts and culture. I hope that the connections we built throughout the last year will continue with support from the program. I'm grateful for all the work from the staff and am inspired by their passion for making a difference. The program certainly made a difference in my life.
Sam Zhang
23-24’ LoCF Fellow | Michigan
These funds will kick start a 2 year long process of become a Certified Economic Developer by the International Economic Development Council. My focus is on small business, entrepreneurship, placemaking, tech and how to finance small businesses including those in the creative economy. My goal is to obtain my credential over the next 2 years and transition in to a professional economic developer or chamber director role
My creative professional journey began as a youth. I am a creative professional and community and cultural advocate. In 2010 My company Tri-Phoenix Group, LLC was created and have since worked on a number of solo and collaborative projects. I use visual art to express my work. I am also a writer/poet/speaker and mixed media artist. I started the business to assist Independent artists and DJ’s with branding, social media, promotions, personal/professional development, artist management and PR. The company was also a platform for me to perform poetry and speaking skills. I have had the pleasure of writing blogs, newsletters and plays. In addition to my work I own and operate an internet radio station, and host a weekly YouTube show.
From small, solo projects to creative collaborations, I’m always looking for the chance to explore new techniques and learn something new that I can apply to my work. When I learn and cultivate something, I want to share with others. I believe in being a service to people. I can serve with artistic expression and skill.
Abigail Gómez is a Latine visual artist, teaching artist, arts advocate, nonprofit founder, and the owner and artist at Pretty Girl Painting, LLC. She earned a BFA from Virginia Tech in 2007. She studied at Santa Reparata International School of Art in Florence, Italy in 2003. In December 2015 she was awarded an MFA in painting from the Academy of Art University in San Francisco CA.
Abigail teaches art in the community through Pretty Girl Painting, Fremont Street Nursery, and Arte Libre VA. She is also a Professor of Art and Design at Shenandoah University. At SU she is developing a BA program in Art and Design within an equity framework. She is also a COIL Fellow, Shenandoah Conversations Fellow, recipient of the 22/23 Faculty Development Grant, and leads study abroad trips for students to countries in Latin America.
Recently Abigail founded Arte Libre VA, a 501(c)(3) nonprofit arts organization that empowers Latinx/e, Black, and Youth of Color through equitable access to quality arts education and programming. At Arte Libre VA, Abigail serves as the Executive Director and Chief Visionary, Maestra Principal. She facilitates and runs the visual arts-based programing offered tuition-free. She manages paid internships for Youth of the Global Majority, as well as the management and training of Teaching Artists and Assistant Teaching Artists, all of whom are paid. Through Arte Libre VA, Abigail has managed and facilitated over 30 collaborative and participatory public art projects and murals in the Northern Shenandoah Valley.
Adam Chuong is a Teochew American artist and educator whose work explores objects as containers for identity, grief, and care. As a child of refugees from Vietnam and Cambodia, the act of making heals their relationship to their cultural identity, once estranged by displacement and trauma.
Through the production of Taoist & Buddhist ritual and domestic objects, they seek to gain a deeper understanding of cultural practices and make new meanings from traditional forms. Queerness—the agency to reinvent and rebirth— mediates the recovery of their cultural identity; traditional patriarchal, colonial, and capitalist values are eschewed in favor of calls for softness, care, and intimacy.
Having been estranged from knowledge bearers of Asian culture, access to traditions is often through the lens of white appropriation and reinterpretation. Thus, publishing and circulation of zines is integral to their practice, in order to reclaim, circulate, and archive marginalized knowledges.
Adonis Holmes is a Writer, Performer, and Comedian out of Chicago. Adonis graduated from the University of Illinois, Urbana-Champaign and has been featured in several sketch shows throughout the city, including Chicago Sketch Fest and the Best of Annoyance sketch show. Adonis was a featured performer and writer for the Second City’s Black Excellence Revue, ‘Dance Like There Are Black People Watching’ and is currently acting as understudy for the Mainstage production of ‘Don’t Quit Your Daydream’. Along with Co-founding and directing of the All-Black improv show ‘Satirical Race Theory’, Adonis is a member of Devil’s Daughter Improv, the Improv trope The Mermaids, a 2022 Bob Curry Fellow, and is the Co-Artistic Director of the iO Theater.
Aisha is a studio and public artist working primarily in clay and bronze. She discovered clay in a community studio, while working toward a degree in Spanish at Grinnell College in Iowa. After graduating, she spent the next two years teaching third and fourth grades in Atlanta, Georgia, and exploring clay at Callenwolde Fine Arts Center in Georgia, and Penland School of Crafts in North Carolina. Aisha decided to go back to school and received a BFA from Washington State University, and an MFA from University of Nebraska- Lincoln. She is currently working on a large-scale outdoor public art commission with The University of Washington Tacoma and the Washington State Arts Commission. Her studio work is shown nationally with recent work at The Whatcom Museum, The Bascom: Center for the Visual Arts, Crocker Art Museum, Northern Clay Center, Wa Na Wari, Bainbridge Museum of Art, Jordan Schnitzer Museum at WSU, and at the Leonor R. Fuller Gallery at South Sound Community College.
Akilah Martinez (artist name: Glittering World Girl) is an award-winning Diné artist, creative technologist and cultural bearer who focuses on Indigenous language & culture revitalization through video art and XR technology. Akilah holds a BFA from The University of New Mexico.
Akilah’s lifelong goal to use modern media to perpetuate the Navajo language & culture began at the young age of 3, after constantly witnessing her Grandparents (unilingual Diné bizaad speakers) have to watch TV programming only offered in English.
The 2019 Crux XR Immersive Technology Fellowship enabled Akilah to travel between NYC and LA to learn from leading XR technologists, social entrepreneurs and impact investors. Akilah is a recipient of Fulcrum Fund 2022, Native Arts and Cultures Foundation LIFT 2022, The Artizen Fund 2023, 2024 New Mexico Women in Tech Emerging Leader Award, is a guest speaker at the MIT XR Reality Hackathon and a current 2024 City of Albuquerque UETF Resiliency Artist in Residence.
Alexandra James, is a Southern Maine-born maker, mover and mother. As an independent artist, she’s engaged with improvisation and interdisciplinary investigation, the interrogation of pedagogy and craft, seeking liberation through the integrity of embodied knowledge and the sharing of practice. In addition to her role as BDF’s Director of Training Programs, Alexandra is a professor of dance at Bates, and artistic director of a youth Hip Hop company. Her work has been presented in Chicago, New York and South Africa, with a teaching practice that carries her nationally. She earned her BFA from the Dance Center of Columbia College Chicago in 2009.
Membership and Operations Coordinator, Benvenuti Arts
Alicia Margarita Olivo (theythem) is a Houston-based Mexican American playwright, performer, and weather enjoyer, whose work focuses on the fiery interactions between identity, gender, rage, and memory. Alicia’s plays have been developed and received readings with Stages, Company One Theater, The Workshop Theater, Teatro Chelsea, Telatúlsa, AlterTheater, and The Inkwell Theater. Alicia is the Membership and Operations Coordinator at Benvenuti Arts, an arts consulting company for small and mighty arts orgs. B.A. Wellesley College. Alicia loves talking about comic books, good food, and the weather. @aliciamargaritx / amolivo.com
